In the context of the excellent new book The Shallows, What the Internet is doing to our brains, by Nicholas Carr, a barman's life is not over-stimulated. Well, maybe he is, in the sense of his coping with a busy night, full of drink orders, full of people, full of movement, full of interchanges monetary, verbal, etc. But his job is not involved with any communications outside of his immediate environment. Take it or leave it. Furthermore, those people he talks to, most likely, he has talked with before, if his spot is a neighborhood joint.
My generation, we had a chance to grow up before we were proliferated. We had radio, we had TV, we had record players. And we read books. And I grew up out in the country, in some form of special circumstances, in that I got not just new music, but the long natural spaces and time of being out there. And, again, I had the opportunity to grow up surrounded by books.
When I went away to college, when I sat down and watched my classmates interact, I had a subconscious sense of some form of shallowness to their worldly sophistication, to their abilities to express themselves quite confidently. I sensed that these people, my same age, had an early form of adulthood upon them. They had egos. They liked to hear themselves talk. They liked to argue. They didn't seem to need to think much in order to hold the floor. And their minds seemed to me to work awfully quickly. And they were from a world of the city. And where I grew up sort of unwittingly, the child of liberal arts, surrounded by books and art and architecture, modest, imaginative, broad without that air of sophistication of being a 'know it all,' here I was, with perfect know-it-alls. Again, they liked to talk. And I did not particularly like being around their conversations, which struck me with the feeling that I had been dropped into a support group for divorcees.
I found some mates, definitely, in those days, and they were contrarians like me, even if I was the hick of the whole bunch, prone to being, as they put it, a wild man. I thought that's how you learned, by testing your limits, and following your instincts. And I did learn some things. While they were more controlled than I, and had a prep school sophistication I would never have.
My generation stood at a crossroads, at a point in time. We grew up, when we were little, in quiet days, way before the internet, when going to a movie even was a huge deal. We grew up with long spaces of silence in which to go explore a stream or a wood, a swamp, country roads.
And for my generation some had already been exposed to the seeds of what was coming, a globally connected world of mass and instant communication. Some already smelled it, and sensed that life is adaptation, so adapt.
And then there were those of us who in some ways chose to be left behind, not as conscious ignoramuses or idiots wanting nothing to do with society, but because we had some form of values, ones we sensed but couldn't express beyond a form of art. It was as if some of us chose to be part of an arcane oral culture of winks and nods and eye contact and song. We had a sense of vitality.
And this is my fascination with the music of Shane MacGowan, born Christmas Day, 1959. He grew up, in summers at least, on a farm in Tipperary. He grew up in an oral culture on a real farm where everyone played a musical instrument. At that particular time, he had a chance to live in a way that soon was to disappear. Here he learned, placed up upon a table at age 3, how to sing, traditional songs. It's obvious that he was well-taught, learning from talented singers and musicians. His music reflects a sensibility, a lack of distraction hard to find now.
One finds his music inclusive, broad, covering expanses of life. In a world of specialists, he is a generalist, as all artists should be, sprung from nature, depicting nature.
One senses it as his own form of dirty secret, that he can't ever be fully engaged, at the pace and scale required, with the world wrought by the economic reality of bowing to the technology of the internet. And here, it seems, no one can find a separate peace.
Monday, September 27, 2010
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