Saturday, September 25, 2010

A writer is attempting to describe in the course of his work that beautiful yet often imprisoned thing, the human brain. It's perhaps a similar function to the mating ritual a bird performs, showing off his brain, but with a broader less selfish reaching, an attempt to find 'like minds' through a higher form of communication.

Whereas other work shows off products of the brain--the kind of 'here, look at this,' kind of stuff we find in shallower media--the writer's quiet work reveals how and what we think on an intimate level, as if to instruct the reader that he or she also can think big thoughts in big ways.

That's why people like to read love stories (Anna Karenina), for showing the finest and most courageous acts of the mind, even when they may seem ostensibly misdirected (A Tale of Two Cities). Or it could be a tale of some form of patriotism, the acknowledgment of an ideal to be protected, the endurance of oppression, the magical vitality of an art form taken up.

The brain is its own thing, to be perpetually discovered and rediscovered, a resilient organ of marvels of ingenuity. We mortals live our lives as partner to our brains, instinctive caretakers, defenders of the brain's style of work. Shy and enigmatic, we court it, allowing for its own quiet ways.

That is the source of bravery, that we know we have such a fine instrument within, a secret in the modern world which the modern world still needs to come to terms with, never being able to escape the brain's reality.

I think it's fair for the artist and the writer to say, 'it was not my choice, not my will, but something I was obliged to do out of some real sense of honor and duty.' So is the writer always looking for 'his country, his people.' That is his politics, which, by the way, happens to coincide with the protections of freedom and liberty nations make constitutions out of.

The writer will endure a lot. Even treated like a dog, he will have within a secret source of perfect dignity.

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