She was his belle ideal. A fuck-up, just like he was. Fallen, prodigal. His book-end match. Through her he could admit what he could not about his own life with standing in society. She started as a sinner, and her husband a saint, but in the architecture of Tolstoy's arches, she stands in relationship to Levin, representing his innermost thoughts and experience.
The story of the individual, however, is not complete without the judgment of society. Few things, short of Jesus, can stop the train. It is the writer's task to observe the ways of judgment, cultural and individual, negative as well as positive. Thus the off-set focus of Levin's story, the last hours in the life of Anna Karenina.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment